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Fela Kuti Fela's life is full of contradictions, and that's a large part of what makes him captivating. People who love him will forgive the parts of him that aren't perfect. His songs often run for longer than 20 minutes and are sung in dense, almost incomprehensible Pidgin English. His music is influenced primarily by Christian hymns and classical music. He also incorporates jazz, Yoruba, and highlife with guitars and horns. He was a musician Fela Kuti embodied the idea that music can be a tool for change. He utilized his music to call for changes in the political and social spheres and his influence can be felt in the world in the present. His musical style, Afrobeat, is a blend of African and Western influences. Its roots are in West-African high-life and funk, but it has since developed into its own genre. His political activism was ferocious and unflinching. He made use of his music to protest against corruption in the government and human right abuses. Songs such as “Zombie” and “Coffin for the Head of State” were daring criticisms of the Nigerian regime. He also referred to Kalakuta as a place to connect with like-minded individuals and to promote political activism. The production features a huge portrait of his late mother, Funmilayo Ransome-Kuti, who was a well-known feminist activist and feminist pioneer. The actress who portrays her is Shantel Cribbs, who has successfully conveyed her significance in the life of Fela. The play also explores her political activism. Despite her condition deteriorating she refused to be tested for AIDS. Instead, she chose traditional treatment. He was a musician The Fela Ransome Kuti was a complex man who used his music to facilitate political change. He is famous for his work on afrobeat – a fusion of funk and dirty African rhythms. He was a fierce critic of Nigeria's governmental and religious leaders. Fela's mother was an anti-colonial suffragist So it's not surprising that he has a love for political commentary and social commentary. His parents wanted him to be an ophthalmologist however, he had other plans. A trip to America changed his perspective forever. The music he composed was greatly influenced by his exposure to Black Power movements and the leadership like Eldridge Clever and Malcolm X. He developed a philosophy of Pan-Africanism, which would inform and guide his later work. He was a writer Fela met Black Power activists such as Stokely Carmichael, and Malcolm X while in the United States. The experience inspired him to form an activist group known as the Movement of the People and compose songs that reflected the ideas that he held about political activism and black awareness. His ideas were expressed in public through the way of yabis, an art of public speaking which was referred to as 'freedom of expression'. He also began to impose a strict ethical code for his band, such as refusing to receive medications from doctors trained in the West. Fela returned to Nigeria and began building his own club in Ikeja. The raids by military and police officials were nearly constant. His Mosholashi-Idi Oro hangers repopulated the area around the club with drugs of all kinds, especially “bana” and “yamuna” (heroin). However, Fela kept his integrity unshaken. His music speaks of his determination to challenge authority and ensuring that the desires of the masses are reflected in official goals. It is an enduring legacy that will endure for generations. He was a poet In his music, Fela used light-hearted sarcasm to highlight economic and political issues in Nigeria. He also mocked his audience as well as the government and himself. He often referred to himself during these shows as “the big dick in the pond with the little fish.” The authorities did not take his jokes lightly and he was repeatedly arrested, imprisoned, and beat by the authorities. He eventually took the name Anikulapo, meaning “he carries death in his pouch.” In 1977, Fela released a song called “Zombie” in which he compared soldiers to brainless zombies that followed orders without any question. The military was offended by the song and conducted a raid on Kalakuta Republic. They burned it down and beat its inhabitants. During the raid, Fela's mother was thrown from her second-floor apartment window. In the years following the independence of Nigeria, Fela created Afrobeat, the genre of music that combined jazz and traditional African rhythm. His songs criticised European cultural imperialism and defended African traditional beliefs and cultures. He also criticized fellow Africans for betraying their country's tradition. He emphasized the importance of human rights and freedom. He was a rapper Fela Anikulapo Kuti, trumpeter and saxophonist, was born in Abeokuta in 1938. He is a pioneer of Afrobeat music. He was heavily influenced by rock, jazz, and roll as well as traditional African music, chants, and music. After his trip to the United States in 1969, Fela met Sandra Smith, an activist from the Black Power movement and her ideas influenced his work profoundly. Fela's music became a political instrument upon his return to Nigeria. He was critical of the government in his home country and insisted that African culture should not be diluted by Western sensibilities. He also wrote about social injustices and human right violations. He was repeatedly detained for his criticism of military. Fela also openly advocated the use of marijuana, referred to as “igbo” in Africa. He also held “yabis” (public discussions) at Afrika Shrine, where he would ridicule officials of the government and express his views regarding freedom of expression and the beauty of women's bodies. Fela also had an entourage of young women, who performed at his shows and also served as vocal backups to his vocalists. He was a dancer Fela was a master of musical fusion. He combined elements of jazz, beat music, and highlife into his own unique style. He influenced a generation of African musicians and was an outspoken critic of colonial rule. Fela refused to be interrogated and detained by the Nigerian military junta as well having witnessed the murder of his mother. He died in 1997 from AIDS-related complications. Fela was a prominent political activist who opposed the oppressive Nigerian Government and supported the principles of Pan Africanism. His albums such as 1973's Gentleman, focused on the issue of oppression by both government bodies and colonial parties. He also pushed for black-power and decried Christianity, Islam and other non-African imports that divide the people of Africa. The title track on a 1978 album, Shuffering and Shmiling, describes the over-crowded public buses full of poor people “shuffering and shmiling.” Fela was a fierce opponent of religious hypocrisy. The dancers of Fela were an excellent match for his music. They were vivacious, sensual, and elegant. Their contributions were just as important as Fela’s words. He was a political militant Fela Kuti was an activist who utilized music to challenge unjust authority. He made use of his knowledge of American jazz and funk towards African styles and rhythms, resulting in an edgy sound that was prepared for a fight. Most of his songs begin with slow-burning instrumentals. He layers melodies, riffs, long-lined melodies and other elements until they explode with urgency. In contrast to many artists who were hesitant to publicly discuss their political views, Fela was fearless and unbending. He stood in the cause he believed in even when it was risky. His mother, Funmilayo Runsome-Kuti was a prominent feminist who led the Nigerian Women's Movement. His father was a protestant minister and president of the teachers' union. He also founded Kalakuta Republic – a recording studio and commune that grew into an emblem of the resistance. The government raided Kalakuta Republic which destroyed property and injuring Fela. He refused to relent however, and continued to protest against the government. He passed away in 1997 of complications caused by AIDS. accidentinjurylawyers continues to carry on his political and musical legacy. He was a father Music is often seen by many as a political action. The lyrics of musicians are used to call for a change. Some of the most powerful musical demonstrations are not performed with words. Fela Kuti was one such artist, and his music still rings out to this day. He was the founder of Afrobeat music, which blends traditional African rhythms and harmony with hip-hop and jazz, being influenced by artists like James Brown. Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist who fought colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied marxism and believed in the idea of a Nigeria that was serving its the entire population. Seun Fela's son continues to carry the legacy of his father through a band named Egypt 80. The band is on tour around the world this year. The band's music blends the sounds and political stances of Fela's time with a fervent denial of the same power structures that persist today. Black Times will be released at the end of March. Thousands of fans attended the funeral at Tafawa Balewa square. The crowd was so huge that the police had to block the entrance.